BIOGRAPHICAL NOTES

 

1956

  • Born in Romania.

1961

  • Immigrated to Israel with his family, who settled in Naharia.

1981

  • Graduated from the Photography Department, Wizo Neri Bloomfild College, Haifa.

Since 1981

  • Teaches Photography at the Wizo Neri Bloomfild College, Haifa; the School     

            of Photography, Jerusalem; & Camera Obscura Art School, Tel-Aviv & Haifa.

1981 - 1995

  • Photographer for the Haifa Municipal Theater and at the Habimah National Theater.

1985 -1987

  • Head of the Photography Department, Wizo Neri Bloomfield Collage of Design, Haifa.

1992

  • Co-found โ€œPyramideโ€ - Contemporary Art & Artistโ€™s Center in Haifa.

1995

  • Co-found โ€œInter Art Israelโ€ โ€“ First Israeli Virtual Art Gallery in the Internet Network.

1996

  • Artist in Residence, Art Space, Raleigh, North Carolina.

1998

  • Multimedia Advanced Study, California University.

2001

  • Died in a terrorist attack in Naharia, Israel.

 

SELECTED ONE - PERSON EXHIBITIONS

 

1984

  • โ€œUrban Vegetationโ€, Photography Art Gallery, Tel Aviv.

1985

  • โ€œWorksโ€, International House Gallery, New York.

  • โ€œTheater Photographyโ€, Haifa Municipal Theater.

1988 

  • โ€œPortraitโ€, Moment gallery, Hamburg.

1989 

  • โ€œObjectsโ€, Vivian Esders Gallery, Paris.

1990 

  • โ€œInterim Summationโ€, Artistsโ€™ Center, Tivon.

1991 

  • โ€œPortraitโ€, Portfolio Gallery, London.

1992 

  • โ€œHeadsโ€, Tel Aviv Museum of Art.

1994 

  • โ€œNo Manโ€™s Landโ€, Video Installation, The Israel Museum, Jerusalem.

  • โ€œWorks 1993 - 1994โ€, Noga Art Gallery, Tel Aviv.

1995  

  • โ€œScreenโ€™s Documentationโ€, Cabri Art Gallery

1996

  • โ€œFlickers, Black and Whiteโ€, Artspace Gallery, Raleigh, North Carolina.

1997

  •  Video Installation, William Breman Jewish Museum, Atlanta, Georgia.

2000

  • โ€œNo Manโ€™s Landโ€, Musrara Gallery, School of Photography & New Media, Jerusalem.

2001

  • โ€œYesodotโ€, Haifa Museum, Haifa.

2001

  • โ€œPortraitsโ€ - Musrara Gallery, School of Photography & New Media, Jerusalem

2002

  • โ€œMorel Derfler, in his memoryโ€ - The Israel Museum, Jerusalem.

2002

  • โ€œMorel Derfler โ€“ Theater Photographsโ€ โ€“ Haifa City Theater, Haifa.

 

SELECTED GROUP EXHIBITIONS

 

1981  

  • America - Israel Cultural Foundation Prize winner, Tel Aviv Museum of Art.     

1982 

  • Bienniale of Young  Artists, Haifa Museum of Modern Art.

1986  

  • โ€œFirst Israel Bienniale of Photographโ€, Art Museum, Ein Harod.

1987  

  • International photography salon of japan, Tokyo.

1989 -

  • โ€œMemory channelsโ€, Camera Obscura Gallery, Tel Aviv.

  • โ€œLimits of Awarenessโ€, Haifa Museum of Modern Art.

  • โ€œPortraitโ€, Artists House Gallery, Tel Aviv.

  •  America - Israel Cultural Foundation Prize winners, Art Museum, Ein Harod.

1990  

  • โ€œVariations sur le theme de lโ€™abimeโ€™, Center of Modern Art, Brussels.

  • โ€œIsraeli photographyโ€, Center of Art, Rathzburg.

  • Winners of Ministry of Cultural Prize, Herzliya Museum.

  • โ€œBorder of Peaceโ€, Center of Art, Givat Haviva.

  • Collection exhibition, Israel Museum, Jerusalem.

  •  โ€œIsraeli Photographyโ€™, Center of Art, Warsaw.

  •  America - Israel Cultural foundation Prize Winner, Tel Aviv Museum of Art.

1991 

  • โ€œIdentities Mediterraneanโ€™sโ€, Espace Mejanes, Aix en Province.

  • โ€œLight Exposureโ€, The Third Israel Biennale of Photography, Art Museum, Ein Harod.

  • โ€œNew in the photography collectionโ€, Tel Aviv Museum of Art.

  • America - Israel Cultural Foundation Prize Winners, Haifa Museum of Modern Art.

  • โ€œMemory channelsโ€, The Beโ€™er Sheva University Gallery.

1992 

  • โ€œDirections in Israel photographyโ€, Artistsโ€™ House Gallery, Jerusalem.

  • โ€œTetesโ€, Tremplin Pour Des Images no 14. Center National de La Photographie, Paris.

  • International Art Gallery Festival, Photoart Hidelberg.

  • โ€œReflectionโ€, Noga Art Gallery, Herzliya.

  • โ€œPortrait โ€, Art Gallery Arsuf, Rishpon.

1993 

  • โ€œBorders of photography, Diaframma Gallery, Milano.

  • "Focus on Industryโ€, Ramat Gan Museum.

  • โ€œObjectโ€, Collection Exhibition, Israel Museum, Jerusalem.

1994  

  • โ€œPhotography in Israelโ€, Ministry of Foreign Affairs, Europe and USA.

  • โ€œLocal Scene 2โ€, Noga Gallery of Contemporary Art, Tel Aviv.

  • โ€œMaterial : Sense & Essenceโ€, Yefet Art Gallery, Jaffa.

  • โ€œIsraeliens-Palestiniensโ€, Centre Photographique dโ€™ile-de France, Pontault-Combault.                                                                                                                     

  •  โ€œArt Focusโ€, Pyramide Gallery, Haifa.

1995 

  • โ€œSelf  Portraitโ€, Artistsโ€™House, Rishon Letzion.

  • โ€œArtist Choiceโ€, Haifa Museum of Modern Art.

  • โ€œPhotography in Israelโ€, Photo Gallery, Kongensgate, Oslo

1996 

  • โ€œPortfolio in Piazzaโ€, Palazzo Vendemini, Milano.

  • โ€œPhotography in Israelโ€, Plazzo de Retz, Paris

  • โ€œSix by Sixโ€, The Pope Galery, Santa Cruz, California.

1998 

  • โ€œCodition Reportโ€, Photography in Israel Today, Israel Museum, Jerusalem.

  • โ€œPortrait From 800 to The Contemporarisโ€, Ken Damy Museum, Brescia.

2000 

  • โ€œTime Frame- A Century of Photography in the Land of Israelโ€, Israel Museum, Jerusalem.

  • โ€œDifferent view โ€“ Israeli Photographyโ€, Houston Photography Festival, Margolis Gallery, Houston, Texas.

2001 

  • โ€œBetween the Mountain and the Seaโ€, Haifa City Museum, Haifa.

 

COLLECTION

 

  •  Israel Museum, Jerusalem

  •  Tel Aviv Museum of Art

  •  Bibliotheque Nationale, Paris

  •  Haifa Museum of modern Art

  •  Museum of art, Ein Harod

  •  Museum of Photography, Charleroi

  •  Judah L Magnes Museum, Berkeley

  •  Privates collections

 

PRIZES AND AWARDS

 

  •  America-Israel Culture Foundation Grant

  •  Haifa Museum of Modern Art, Biennale Prize

  •  Ministry of Education and Culture Prize

  •  The Gerard Levy Prize for Photography, Israel Museum, Jerusalem

  •  Kodak Award, the Israel Biennale of Photography, Museum of Art, Ein Harod 

โ€‹

ืฆื™ื•ื ื™ื ื‘ื™ื•ื’ืจืืคื™ื™ื

โ€‹

1956

  • ื ื•ืœื“ ื‘ืจื•ืžื ื™ื”.

1961

  • ืขืœื” ืืจืฆื” ืขื ืžืฉืคื—ืชื•, ื•ื”ืชื’ื•ืจืจ ื‘ื ื”ืจื™ื”.

1981

  •  ื‘ื•ื’ืจ ื”ืžื’ืžื” ืœืฆื™ืœื•ื ื‘ืžื›ืœืœื” ืœืขื™ืฆื•ื‘ ื•ื™ืฆ"ื•-ืงื ื“ื” ืข"ืฉ ื ืจื™ ื‘ืœื•ืžืคื™ืœื“, ื—ื™ืคื”.

1981

  •  ื•ืื™ืœืš ืขื•ืกืง ื‘ื”ื•ืจืืช ืฆื™ืœื•ื ื‘ื™ืช ื”ืกืคืจ ืœืฆื™ืœื•ื ื•ื”ื“ืžื™ื” ืžื•ืกืจืจื”, ื™ืจื•ืฉืœื™ื, ืงืžืจื” ืื•ื‘ืกืงื•ืจื” ืชืœ-ืื‘ื™ื‘ ื•ื‘ืžื›ืœืœื” ืœืขื™ืฆื•ื‘ ื•ื™ืฆ"ื•-ืงื ื“ื” ืข"ืฉ ื ืจื™ ื‘ืœื•ืžืคื™ืœื“, ื—ื™ืคื”.

1981- 1995

  •   ืฆื™ืœื•ื ืชื™ืื˜ืจื•ืŸ ื‘ืชื™ืื˜ืจื•ืŸ ื”ืขื™ืจื•ื ื™ ื—ื™ืคื” ื•ื‘ืชื™ืื˜ืจื•ืŸ ื”ื‘ื™ืžื”.

1985- 1987

  • ืžืจื›ื– ื”ืžื’ืžื” ืœืฆื™ืœื•ื ื‘ืžื›ืœืœื” ืœืขื™ืฆื•ื‘ ื•ื™ืฆ"ื•-ืงื ื“ื” ืข"ืฉ ื ืจื™ ื‘ืœื•ืžืคื™ืœื“, ื—ื™ืคื”.1992- ืžืžื™ื™ืกื“ื™ "ืคื™ืจืžื™ื“ื”", ืžืจื›ื– ืกื“ื ืื•ืช ื”ืืžื ื™ื ื‘ื—ื™ืคื”.  

1995

  •  ืžืžืงื™ืžื™ "ืื™ื ื˜ืจ ืืจื˜ ื™ืฉืจืืœ", ื’ืœืจื™ื” ื•ื™ืจื˜ื•ืืœื™ืช ื‘ืจืฉืช ื”ืื™ื ื˜ืจื ื˜.

1996

  •  ืืžืŸ ืื•ืจื—, ื‘ืกื“ื ืื•ืช ืืจื˜ ืกืคื™ื™ืก, ืจืืœื™, ืฆืคื•ืŸ ืงืจื•ืœื™ื ื”.   

1998

  •  ื”ืฉืชืœืžื•ื™ื•ืช ืžื•ืœื˜ื™ืžื“ื™ื” ื‘ืื•ื ื™ื‘ืจืกื™ื˜ืช ืงืœื™ืคื•ืจื ื™ื”.

2001

  •  ื ื”ืจื’ ื‘ื ื”ืจื™ื”, ื™ืฉืจืืœ, ื‘ืคื’ื•ืข ื˜ืจื•ืจ.

ืžื‘ื—ืจ ืชืขืจื•ื›ื•ืช ื™ื—ื™ื“:

โ€‹

1984

  •  "ืฆืžื—ื™ื” ืขื™ืจื•ื ื™ืช", ื”ื’ืœืจื™ื” ืœืืžื ื•ืช ื”ืฆื™ืœื•ื, ืชืœ-ืื‘ื™ื‘.

1985

  • "ืขื‘ื•ื“ื•ืช", ื’ืœืจื™ื” ืื™ื ื˜ืจื ืฉื™ื•ื ืœ ื”ืื•ืก, ื ื™ื•-ื™ื•ืจืง.

  • "ืฆื™ืœื•ืžื™ ืชื™ืื˜ืจื•ืŸ", ื”ืชื™ืื˜ืจื•ืŸ ื”ืขื™ืจื•ื ื™, ื—ื™ืคื”.

1988

  •   "ื“ื™ื•ืงืŸ", ื’ืœืจื™ื” ืžื•ืžื ื˜, ื”ืžื‘ื•ืจื’.

1989

  •   "ื—ืคืฆื™ื", ื’ืœืจื™ื” ื•ื™ื•ื™ืืŸ ืืกื“ืจ, ืคืืจื™ื–.

1990

  •  "ืกื™ื›ื•ื ื–ืžื ื™", ื’ืœืจื™ื™ืช ืงืจื™ื™ืช ื”ืืžื ื™ื, ื˜ื‘ืขื•ืŸ.

1991 

  • "ื“ื™ื•ืงืŸ", ื’ืœืจื™ื” ืคื•ืจื˜ืคื•ืœื™ื•, ืœื•ื ื“ื•ืŸ.

1992 

  •  "ืจืืฉื™ื", ืžื•ื–ื™ืื•ืŸ ืชืœ-ืื‘ื™ื‘ ืœืืžื ื•ืช.

1994

  •   "ืฉื˜ื— ื”ืคืงืจ", ืžื™ืฆื‘ ื•ื™ื“ื™ืื• ื‘ืžืกื’ืจืช ืืจื˜ ืคื•ืงื•ืก, ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ.

  •   "ืขื‘ื•ื“ื•ืช 1994-1993", ื ื’ื ื’ืœืจื™ื” ืœืืžื ื•ืช ืขื›ืฉื•ื•ื™ืช, ืชืœ-ืื‘ื™ื‘.

1995 

  •  "ืชื™ืขื•ื“ ืžืกื›ื™ื", ื›ื‘ืจื™ ื’ืœืจื™ื” ืœืืžื ื•ืช ื™ืฉืจืืœื™ืช.

1996

  • "ื”ื‘ื”ื•ื‘ื™ื ืฉืœ ืฉื—ื•ืจ ื•ืœื‘ืŸ", ื’ืœืจื™ื” ืืจื˜ ืกืคื™ื™ืก, ืจืืœื™, ืฆืคื•ืŸ ืงืจื•ืœื™ื™ื ื”.

  •  ืžื™ืฆื‘ ื•ื™ื“ื™ืื• , ืžื•ื–ื™ืื•ืŸ ื•ื•ื™ืœื™ืื ื‘ืจืžืŸ, ืื˜ืœื ื˜ื”.

2000

  •  "ืฉื˜ื— ื”ืคืงืจ", ื’ืœืจื™ื™ืช ื‘ื™ืช ื”ืกืคืจ ืœืฆื™ืœื•ื ื•ื”ื“ืžื™ื” ืžื•ืกืจืจื”, ื™ืจื•ืฉืœื™ื.

2001

  •  "ืจืืฉื™ื", ื’ืœืจื™ื” ืœืืžื ื•ืช ื‘ื‘ื™ืช ื”ืกืคืจ ืœืฆื™ืœื•ื ื•ื”ื“ืžื™ื”, ื™ืจื•ืฉืœื™ื

2002

  •  "ืžื•ืจืœ ื“ืจืคืœืจ โ€“ ืœื–ื›ืจื•"  ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ ืœืืžื ื•ืช โ€“ ื™ืจื•ืฉืœื™ื

  •  "ืžื•ืจืœ ื“ืจืคืœืจ ืžืฆืœื ืชื™ืื˜ืจื•ืŸ", ื’ืœืจื™ื” ืชื™ืื˜ืจื•ืŸ ืขื™ืจื•ื ื™ ื—ื™ืคื”

          

ืžื‘ื—ืจ ืชืขืจื•ื›ื•ืช ืงื‘ื•ืฆืชื™ื•ืช:

โ€‹

1981

  •  ื–ื•ื›ื™ ืžืœื’ื•ืช ืงืจืŸ ืชืจื‘ื•ืช ืืžืจื™ืงื” โ€“ ื™ืฉืจืืœ, ืžื•ื–ื™ืื•ืŸ ืชืœ-ืื‘ื™ื‘ ืœืืžื ื•ืช.

1992

  • ื”ื‘ื™ืื ืืœื” ืœืืžื ื™ื ืฆืขื™ืจื™ื, ืžื•ื–ื™ืื•ืŸ ื—ื™ืคื” ืœืืžื ื•ืช ื—ื“ืฉื”.

1986

  •   ื”ื‘ื™ืื ืœื” ื”ื™ืฉืจืืœื™ืช ื”ืจืืฉื•ื ื” ืœืฆื™ืœื•ื, ืžืฉื›ืŸ ืœืืžื ื•ืช, ืขื™ืŸ-ื—ืจื•ื“.

1987

  •   ื”ืกืœื•ืŸ ื”ืœืื•ืžื™ ืœืฆื™ืœื•ื ืฉืœ ื™ืคืŸ, ื˜ื•ืงื™ื•.

1989

  •  "ืขืจื•ืฆื™ ื–ื›ืจื•ืŸ", ื’ืœืจื™ื” ืงืžืจื” ืื•ื‘ืกืงื•ืจื”, ืชืœ-ืื‘ื™ื‘.

  •  "ื’ื‘ื•ืœ ื”ืชื•ื“ืขื”", ืžื•ื–ื™ืื•ืŸ ื—ื™ืคื” ืœืืžื ื•ืช ื—ื“ืฉื”.

  • "ื“ื™ื•ืงืŸ", ื’ืœืจื™ืช ื‘ื™ืช ื”ืืžื ื™ื, ืชืœ-ืื‘ื™ื‘.

  • ื–ื•ื›ื™ ืžืœื’ื•ืช ืงืจืŸ ืชืจื‘ื•ืช ืืžืจื™ืงื” โ€“ ื™ืฉืจืืœ, ื”ืžืฉื›ืŸ ืœืืžื ื•ืช, ืขื™ืŸ-ื—ืจื•ื“.

1990  

  • "ื•ืจื™ืืฆื™ื•ืช ืขืœ ื ื•ืฉื ื”ืชื”ื•ื", ื”ืžืจื›ื– ืœืืžื ื•ืช ืžื•ื“ืจื ื™ืช, ื‘ืจื™ืกืœ.

  • "ืฆื™ืœื•ื ื™ืฉืจืืœื™", ืžืจื›ื– ืœืืžื ื•ืช, ืจืืฆื‘ื•ืจื’.

  •  ื–ื•ื›ื™ ืคืจืก ื”ืžื•ืขืฆื” ื”ืฆื™ื‘ื•ืจื™ืช ืœืชืจื‘ื•ืช ื•ืืžื ื•ืช, ืžื•ื–ื™ืื•ืŸ ื”ืจืฆืœื™ื”.

  •  "ื’ื‘ื•ืœ ื”ืฉืœื•ื", ืžืจื›ื– ืœืืžื ื•ืช ื’ื‘ืขืช ื—ื‘ื™ื‘ื”.

  • "ืžืจืื•ืช ื•ื—ื–ื™ื•ื ื•ืช", ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ, ื™ืจื•ืฉืœื™ื.

  •  "ืฆื™ืœื•ื ื™ืฉืจืืœื™", ืžืจื›ื– ืœืืžื ื•ืช, ื•ืืจืฉื”.

  •  ื–ื•ื›ื™ ืžืœื’ื•ืช ืงืจืŸ ืชืจื‘ื•ืช ืืžืจื™ืงื” โ€“ ื™ืฉืจืืœ, ืžื•ื–ื™ืื•ืŸ ื—ื™ืคื” ืœืืžื ื•ืช ื—ื“ืฉื”.

1991 

  • "ื–ื”ื•ื™ื•ืช ื™ื ืชื™ื›ื•ื ื™ืช", ืืงืก-ืื•ืŸ ืคืจื•ื‘ื ืก, ืฆืจืคืช.

  • "ื—ืฉื™ืคื” ืœืื•ืจ", ื”ื‘ื™ืื ืœื” ื”ื™ืฉืจืืœื™ืช ื”ืฉืœื™ืฉื™ืช ืœืฆื™ืœื•ื, ืžืฉื›ืŸ ืœืื•ืžื ื•ื™ื•ืช,

    ืขื™ืŸ-ื—ืจื•ื“.

  • "ื—ื“ืฉ ื‘ืื•ืกืฃ ื”ืฆื™ืœื•ื", ืžื•ื–ื™ืื•ืŸ ืชืœ-ืื‘ื™ื‘ ืœืืžื ื•ืช.

  • ื–ื•ื›ื™ ืžืœื’ื•ืช ืงืจืŸ ืชืจื‘ื•ืช ืืžืจื™ืงื”-ื™ืฉืจืืœ, ืžื•ื–ื™ืื•ืŸ ื—ื™ืคื” ืœืืžื ื•ืช ื—ื“ืฉื”.

  •  "ื’ื‘ื•ืœ ื”ืชื•ื“ืขื”", ื’ืœืจื™ื” ื”ืื•ื ื™ื‘ืจืกื™ื˜ืื™ืช, ื‘ืืจ ืฉื‘ืข.

1992

  • "ื›ื™ื•ื•ื ื™ื ื—ื“ืฉื™ื ื‘ืฆื™ืœื•ื ื”ื™ืฉืจืืœื™", ื‘ื™ืช ื”ืืžื ื™ื, ื™ืจื•ืฉืœื™ื.

  • "ื“ื™ื•ืงืŸ", ืžืจื›ื– ืœืื•ืžื™ ืœืฆื™ืœื•ื, ืคืืจื™ื–.

  • ืคืกื˜ื™ื‘ืœ ื‘ื™ื ืœืื•ืžื™ ืœืืžื ื•ืช, ื’ืœืจื™ื” ื˜ื™ืจืช ืื™ื“ืœื‘ืจื’, ื’ืจืžื ื™ื”.

  •  "ื”ืชื‘ื•ื ื ื•ืช", ื ื’ื ื’ืœืจื™ื” ืœืืžื ื•ืช ืขื›ืฉื•ื•ื™ืช, ื”ืจืฆืœื™ื”.

  • "ื“ื™ื•ืงืŸ", ืืจืกื•ืค ื’ืœืจื™ื” ืœืืžื ื•ืช ืขื›ืฉื•ื•ื™ืช, ืจื™ืฉืคื•ืŸ.

1993

  •  "ื’ื‘ื•ืœื•ืช ื”ืฆื™ืœื•ื", ื’ืœืจื™ื” ื“ื™ืืคืจืืžื”, ืžื™ืœืื ื•.

  •  "ืชืขืฉื™ื” ื‘ืขื™ืŸ ื”ืขื“ืฉื”", ืžื•ื–ื™ืื•ืŸ ืจืžืช-ื’ืŸ.

  •  "ื”ื—ืคืฅ", ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ, ื™ืจื•ืฉืœื™ื.

1994

  • "ื–ืžืŸ ืžืงื•ืžื™ 2", ื ื’ื ื’ืœืจื™ื” ืœืืžื ื•ืช ืขื›ืฉื•ื•ื™ืช, ืชืœ-ืื‘ื™ื‘.

  •  "ืฆื™ืœื•ื ื‘ื™ืฉืจืืœ", ืชืขืจื•ื›ื” ื ื™ื™ื“ืช ื‘ื—ื•"ืœ ื‘ื—ืกื•ืช ืžืฉืจื“ ื”ื—ื•ืฅ ื•ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ.

  •  "ื—ื•ืžืจ ื—ื", ื™ืคืช 28 ื’ืœืจื™ื” ืœืืžื ื•ืช, ื™ืคื•.

  •  "ื™ืฉืจืืœื™ื โ€“ ืคืœืฉืชื™ื ืื™ื", ืžืจื›ื– ืœืฆื™ืœื•ื ืฉืœ ืฆืจืคืช, ืคื•ื ื˜ื•ืœ ืงื•ืžื‘ืœื•ื˜.

  •  ืืจื˜ ืคื•ืงื•ืก, ื’ืœืจื™ื” ืคื™ืจืžื™ื“ื”, ืžืจื›ื– ืกื“ื ืื•ืช ืืžื ื™ื, ื—ื™ืคื”.

  • "ืฉื˜ื— ื”ืคืงืจ", ืžื™ืฆื‘ ื•ื™ื“ื™ืื• ื‘ืžืกื’ืจืช ืืจื˜ ืคื•ืงื•ืก, ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ, ื™ืจื•ืฉืœื™ื.

1995 

  •  "ื‘ื—ื™ืจืช ื”ืื•ืžืŸ", ืžื•ื–ื™ืื•ืŸ ื—ื™ืคื” ืœืืžื ื•ืช ื—ื“ืฉื”.

  •  "ื“ื™ื•ืงืŸ ืขืฆืžื™", ื‘ื™ืช ื”ืืžื ื™ื, ืจืืฉื•ืŸ ืœืฆื™ื•ืŸ.

1996-

  •  "ืคื•ืจื˜ืคื•ืœื™ื•", ืืจืžื•ืŸ ื•ื•ื™ื ื“ื™ืžื™ื ื™, ืžื™ืœื ื•.

  • "ืฉืฉ ืขืœ ืฉืฉ", ืคื•ืค ื’ืœืจื™ื” ืœืืžื ื•ืช ืขื›ืฉื•ื•ื™ืช, ืกื ื˜ื” ืงืจื•ื–, ืงืœื™ืคื•ืจื ื™ื”.

  •  "ืฆื™ืœื•ื ื™ืฉืจืืœื™", ื’ืœืจื™ื” ืžืจื›ื– ืจื™ื™ืฅ, ืคืจื™ื–.

1998

  •  "ื“ื•ื— ืžืฆื‘", ืฆื™ืœื•ื ื‘ื™ืฉืจืืœ ื”ื™ื•ื, ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ, ื™ืจื•ืฉืœื™ื.

  •   ืžื•ื–ื™ืื•ืŸ ืงื™ื™ืŸ ื“ืืžื™, ื‘ืจื™ื™ืฉื™ื”.

  • "ืžืกื’ืจืช ื–ืžืŸ, ืžืื” ืฉื ื•ืช ืฆื™ืœื•ื ื‘ืืจืฅ-ื™ืฉืจืืœ", ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ, ื™ืจื•ืฉืœื™ื.

  • "ืžืจืื” ืื—ืจ โ€“ ืฆื™ืœื•ื ื‘ื™ืฉืจืืœ", ื‘ืžืกื’ืจืช ืคืกื˜ื™ื‘ืœ ื™ื•ืกื˜ื•ืŸ ืœืฆื™ืœื•ื, ื’ืœืจื™ื” ืžืจื’ื•ืœื™ืก,

      ื™ื•ืกื˜ื•ืŸ, ื˜ืงืกืก.

2001

  •  "ืžื•ืœ ื”ื™ื", ืžื•ื–ื™ืื•ืŸ ื”ืขื™ืจ ื—ื™ืคื”

  • "ืขื™ืจ ืชื—ืชื™ืช" , ื”ื’ืœืจื™ื” ืœืืžื ื•ืช ื‘ืื•ื ื™ื‘ืจืกื™ื˜ืช ื—ื™ืคื”

ืคืจืกื™ื ื•ืžืขื ืงื™ื:

 

  •  ืžืœื’ื•ืช ืงืจืŸ ืชืจื‘ื•ืช ืืžืจื™ืงื” โ€“ ื™ืฉืจืืœ.

  • ืคืจืก ื”ื‘ื™ืื ืœื” 1982, ืžื•ื–ื™ืื•ืŸ ื—ื™ืคื” ืœืื•ืžื ื•ื™ื•ืช ื—ื“ืฉื”.

  • ืคืจืก ื‘ื™ืฆื•ืข ื”ืืžืŸ ื”ืฆืขื™ืจ, ื”ืžื•ืขืฆื” ื”ืฆื™ื‘ื•ืจื™ืช ืœืชืจื‘ื•ืช ื•ืืžื ื•ืช.

  • ืคืจืก ื–'ืจืืจ ืœื•ื™, ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ, ื™ืจื•ืฉืœื™ื.

  • ืคืจืก ืงื•ื“ืืง, ื”ื‘ื™ืื ืœื” ื”ื™ืฉืจืืœื™ืช ื”ืฉืœื™ืฉื™ืช ืœืฆื™ืœื•ื, ื”ืžืฉื›ืŸ ืœืืžื ื•ืช, ืขื™ืŸ-ื—ืจื•ื“.

ืื•ืกืคื™ื:

 

  • ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ, ื™ืจื•ืฉืœื™ื.

  • ืžื•ื–ื™ืื•ืŸ ืชืœ-ืื‘ื™ื‘ ืœืืžื ื•ืช.

  • ื”ืกืคืจื™ื” ื”ืœืื•ืžื™ืช, ืคืืจื™ื–.

  • ืžื•ื–ื™ืื•ืŸ ื—ื™ืคื” ืœืืžื ื•ืช ื—ื“ืฉื”.

  • ืžืฉื›ืŸ ืœืื•ืžื ื•ื™ื•ืช, ืขื™ืŸ-ื—ืจื•ื“.

  • ืžื•ื–ื™ืื•ืŸ ืœืฆื™ืœื•ื ืฉืืจืœืจื•ื™.

  • ืžื•ื–ื™ืื•ืŸ ื™ื”ื•ื“ื” ืžื’ื ืก, ื‘ืจืงืœื™

  • ืื•ืกืคื™ื ืคืจื˜ื™ื™ื.